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Susan Cooper (Melissa McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency's most dangerous missions. But when her partner (Jude Law) falls off the grid and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global disaster. (C) Fox
About Spy
Artist : Melissa McCarthy, Rose Byrne, Jude Law, Jason StathamAs : Bradley Fine, Tihomir Boyanov, Susan Cooper
Title : Spy Youtube Film Entier
Release date : 2015-06-05
Movie Code : 3079380
Duration : 117
Category : Action, Comedy, Crime
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Comment For Spy Full Movie Magyarul
[It] does have its moments, and it does have McCarthy. And while it's not worth much more than a rent, it does make us look forward to what she's going to do with "Ghostbusters."
It's a globe-trotting tour of McCarthy's talent, throughout which she's practically always kicking butt. Who was that double-O-what's-his-face, anyway?
McCarthy and Byrne's scenes together are cruelly hilarious, with the kind of no-holds-barred insult humor that makes you instinctively drop your jaw and cover your mouth.
Melissa McCarthy gets the funniest, most versatile and sustained comic showcase of her movie career in this deliriously entertaining action-comedy.
McCarthy and director Paul Feig, are a dynamite team, with Feig's script a bonanza of zingers and femcentric subtext.
McCarthy has much more to discover about herself as an actor and an avatar and a cultural signifier, and I hope she doesn't get trapped by one role, one genre or one franchise. But her campaign of conquest is going well.
A breezy, enjoyable comedy, and an ideal vehicle for the endearing McCarthy.
It's as if writer/director Paul Feig studied an Ian Fleming list of everything you're not supposed to do in a spy yarn, then did it all - thereby producing an excellent adventure movie so funny you can barely catch your breath between scenes.
Although this fish-out-of-water scenario might sound over-familiar, both the humour and action here are startling and visceral .
Put the woman in any damn thing she pleases. She's that good.
Feig keeps throwing so much stuff at you - gross-out gags, chases, brutal violence, not to mention actors working their heads off - that he finally wears down your resistance.
The intel is in: Melissa McCarthy can carry a comedy. Specifically, "Spy."
Rare is the broad mainstream comedy that can goof on its bigger-budget Hollywood siblings while providing a few moments of sincere uplift.
Hollywood is gradually figuring out what to do with Melissa McCarthy.
Everyone involved seems to have had a good time with "Spy," and so will the audience.
Feig's movies aren't particularly stylish - the visuals in "Spy" are serviceable at best, and the makeup is particularly un-subtle - but they possess a silly, sweet streak that makes them irresistibly infectious.
McCarthy is not a one-size-fits-all talent; she needs the right vehicle. Here, Feig has given her precisely the right vehicle, and she shines.
The tricksy plot allows McCarthy to explore the full range of her comic persona, and Feig is smart enough to get out of her way as the mild-mannered Susan starts wielding f-bombs as comfortably as Bond whips around a Walther PPK.
If a Spy sequel isn't already in the works, they better get cracking. Nefarious terrorists and numskull guys await.
One part parody, one part thriller, one part lethal satire of movie sexism.
Feig's cheerfully feminist script makes only as much sense as it absolutely must, while providing McCarthy with chances to crack wise, show vulnerability and class, and do some of the more elegant pratfalls you'll have seen in a while.
The characters are one-dimensional. The narrative is flat and obvious.
"Spy," plus popcorn, feels just right.
What does work, in every scene, is Melissa McCarthy's performance. She's as funny and as winning as anyone in the movies these days.
If they do a sequel (teased in the final seconds), they should cut down on the endless, tedious chases and shootouts.
Melissa McCarthy doesn't just adopt guises to fool the bad guys in "Spy." Part of what makes the action comedy such a loopy blast is the identity shifts she pulls on the audience.
Spy is a call to arms for the cowed, and a riotous skewering of the workplace kings
"Spy" may not be a great movie, but it is great fun. And at times it will have you wondering if there's that much of a difference.
Spy is actually quite funny. It even proves itself to be in the same league with the first two films in Feig's loose comic trilogy, Bridesmaids and The Heat .
Spy lampoons sexism without abandoning sex-a tough tone for a comedy to strike but one that Feig and McCarthy manage to accomplish with both a sense of justice and a sense of humor.
Finally, after the promise shown in "Bridesmaids" but sold short since by weak scripts in films like "Tammy" and "Identity Thief," Melissa McCarthy gets a movie vehicle worthy of her talents.
The busy, silly script allows Ms. McCarthy to be her own best sidekick, in effect an entire sketch-comedy troupe unto herself.
Feig draws out McCarthy's best, and she's up to the challenge, whether it's expressing tenderness and anger or slapsticking her way through the physical humor.
With the overlong, limp and lazy "Spy," Feig has lost his mojo.
Melissa McCarthy comes into her own as a comic star in Spy, stepping out from recent supporting- and co-headlining roles to become the big screen A-lister she promised to be in 2011's Bridesmaids.
The fun of "Spy" comes in watching the right actors mess with their own images, blithely.
Melissa McCarthy shines in this clever action-comedy showcase provided by the writer and director Paul Feig, but the movie's tightly contrived plot and uniformly positive emotions constrain her comic genius.
In Spy, she's playing a caricature that is almost a complete character. The movie isn't out to humiliate her. It wants to prop up a version of heroism that makes sense for McCarthy.
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